Publications of Staff Members

Publications

Professor Roger Benjamin

• [ACADEMIC HONOURS/GRANTS] Actus Foundation (New York City) grant to support the teaching of Aboriginal art over four years at the University of Sydney (2003-2006, US$4,800 total); Actus Foundation grant to support a curatorial and research assistant for Icons of the Desert: Early Aboriginal Paintings from Papunya, 2004-2007 (AU$12,000 per annum)
• [CURRENT PROJECT] Academic editor of Juan Davila: Works 1970-2006, a retrospective exhibition organized by the Museum of Contemporary Art, Sydney. Touring to the National Gallery of Victoria. Accompanying book published by Melbourne University Publishing (Miegunyah Press) in association with MCA.
• [PUBLICATIONS: CONTEMPORARY ART] “Crossing country: The alchemy of Western Arnhem Land art in Sydney”, (review), Art Monthly Australia, December 2004-February 2005, no. 176, pp. 12-15. (2,500 words).
• [PUBLICATION: HISTORICAL STUDIES]*“Andalusia In The Time Of The Moors: Regret and Colonial Presence in Paris, 1900,” in Edges of Empire: Orientalism and Visual Culture, Jocelyn Hackforth-Jones and Mary Roberts, eds., Blackwells Publishers, Oxford, forthcoming mid-2005
• [MEDIA REPORT] Interview for ABC Television’s 7:30 Report on French Masters from the Musée Léon Dierx with Jocelyn Nettlefold, 9 March 2005.
• [CURRENT PROJECT] *“Landscape in Collioure”, in Matisse in the Statens Museum for Kunst, Kasper Monrad and Sven Bjerkhof, eds., Copenhagen, September 2005
• [PUBLICATION: HISTORICAL STUDIES]*“Orientalism, Modernism and Indigenous Identity”, Art of the Avant-Gardes, book 2 of Art of the Twentieth Century, eds. Steve Edwards and Paul Wood, Yale University Press in association with The Open University, New Haven and London, 2004, pp. 84-107.
• [PAPERS/GUEST LECTURE] “The Port of Algiers and Topographies of Power”, paper at Walls of Algiers, A Getty Research Institute Workshop, 22-27 May 2004, Los Angeles.
• [PAPERS/GUEST LECTURE] “Cézanne and radical still life practice”, The Impressionists, Masterpieces from the Musée d’Orsay, Symposium, National Gallery of Victoria, Melbourne, 19 June 2004.
• [PAPERS/GUEST LECTURE] Repeated as one of two talks in An Impressionist Evening, with Dr. Ted Gott (NGV), Alumni and Friends of the Power Institute, 31 August 2004

Dr Keith Broadfoot

• [JOURNAL ARTICLE] 2002 ‘Perspective Yet Again: Damisch with Lacan’, Oxford Art Journal, Vol. 25, No. 1
• [JOURNAL ARTICLE] 2002 ‘Abstraction and Aura’, South Atlantic Quarterly, Vol. 101, No. 2
• [BOOK CHAPTER] 2002 ‘A Fold in Time: Anne MacDonald and the Origin of Photography’, Value Added Goods, ed. Stuart Koop, CCP Publications, Melbourne,
• [JOURNAL ARTICLE] 2001 ‘Las Meninas and the King’s Two Bodies’, Word and Image, Vol. 17. No. 3
• [CATALOGUE ESSAY] 2001 Su Baker Exhibition Boutwell Gallery
• [BOOK CHAPTER] 2001 ‘The End of the Line: Installation Art Today’, What is Installation: An anthology of writings on Australian Installation art, ed. Adam Geczy and Benjamin Genocchio, Power Publications, Sydney
• [JOURNAL ARTICLE] 2000‘In the Name of Painting’,Postwest, No. 16.
• [BOOK CHAPTER] 2000 ‘Before and After Pollock’, Refracting Vision: essays on the writings of Michael Fried, ed. Jill Beaulieu, Mary Roberts and Toni Ross, Power Publications, Sydney
• [JOURNAL ARTICLE] 1999‘Landscape as Blank: Australian Art after the Monochrome’, Australian Journal of Art, Vol. XIV, No. 2
• [CATALOGUE ESSAY] 1999 ‘In the Mirage of Memory’, Debra Dawes, Sherman Galleries.
• [BOOK CHAPTER] 1999 ‘After the Field’, Reflections on Geometric Painting, ed. Nicholas Tsoutas, Artspace Publications, Sydney

Professor John Clark

• [BIBLIOGRAPHY] 2005 MODERN AND CONTEMPORARY ASIAN ART A Working Bibliography
• [SELECTED PAPER/GUEST LECTURE] 2004 September lectured at Seoul National University, Hongik University and another university in Korea during research visit
• [SELECTED PAPER/GUEST LECTURE] 2004 February, Chair of convenors, international conference on Our Modernities: Positioning Asian Art Now, Asia Research Institute, National University of Singapore. Later edited papers for web publication at http://www.ari.nus.edu.sg/conf2004/asianart.htm
• [SELECTED PAPER/GUEST LECTURE] 2003 November and December, Visiting Fellow Asia Research Institute, National University of Singapore.

Dr Laleen Jayamanne

• [Refereed Journal Articles]: "Pursuing Micromovements in Room 202", SIGNS, Journal of Women in Culture and Society, Chicago University, Special Issue on Recent Approaches to Film Feminisms, 30/1, Autumn 2004
• [Refereed conference paper]: "Let's Miscegenate:Jackie Chan and his African American Connection", at the Symposium on "Transnational Imagination in Action Cinema". Lingnan University, Hong Kong January 2003.
• [On-line Journal]: "The Ornamentation of Nicole Kidman in Stanley Kubrick's Eyes Wide Shut and Mita Vashisht" Senses of Cinema, 23, Nov-Dec, 2002, Special Issue on Women and Film.
• [Chapters in Books]: "Forty Acres and a Mule Filmworks" – DO THE RIGHT THING – "A Spike Lee joint": Blocking and Unblocking the Block, ed. Patricia Pisters,Micropolitics of Media Culture: Reading the Rhizomes of Deleuze and Guattari, 2001 Amsterdam University Press, Amsterdam.
• [Books]: Towards Cinema and its Double: Cross-cultural Mimesis, 2001 Indiana University Press, US.
• [Chapters in Books]: A Slapstick Time: mimetic convulsion, convulsive knowing," eds. Lesley Stern and George Kouvaros, Falling For You: Essays on Cinema and Performance, 1999 Power Publications, Sydney.
• [Chapters in Books]: "Stories within Stories" in Foreign Dialogues: Memories, Translations, Conversations,ed. Mary Zournazi,Pluto Press, 1998
• [Edited Books]: The Filmmaker and the Prostitute: Dennis O'Rourke's The Good Woman of Bangkok, co-editor, 1997 Power Publications, Sydney.
• [Catalogue Essays]:Above and Beyond One's Cultural Heritage: Jackie Chan and his Drunken Master, 1996 Institute of Modern Art, Brisbane.
• [Refereed journal Articles]: Passionate Anachronist a review of The Passion of Pier Paolo Pasolini, by Sam Rohdie, 1995 BFI and Indiana University Press, in UTS Review 2/2.
• [Refereed Journal Articles]:Unthinking multiculturalism, a review of Unthinking Eurocentrism: Multiculturalism and the Media by Ella Shohat and Robert Stam, 1995 Routledge, in UTS Review 1/2.

Dr Louise Marshall

• “La costruzione di un santo contro la peste: il caso di Nicola da Tolentino” in San Nicola da Tolentino nell’arte. Corpus iconografico. Vol. 1: Dalle origini al Concilio di Trento, ed. V. Pace and R. Tollo, Milan: Biblioteca egidiana and Federico Motta, 2005, 103-13
• 8 catalogue entries in San Nicola da Tolentino nell’arte. Corpus iconografico. Vol. 1: Dalle origini al Concilio di Trento, ed. V. Pace and R. Tollo, Milan: Biblioteca egidiana and Federico Motta, 2005:
  cat. 26, pp. 245-6: I santi Agostino, Giovanni Battista, un santo vescovo e Nicola da Tolentino con un donatore, Abbadia San Salvatore, eremo di Lecceto
  cat. 63, pp. 264-5: San Nicola da Tolentino salva Pisa dalla peste, Pisa, San Nicola.
  cat. 65, p. 266: San Nicola da Tolentino salva Empoli dalla peste, Empoli, Museo della Collegiata, Bicci di Lorenzo
  cat. 103, pp. 284-5: Madonna dei Raccomandati (recto); San Nicola da Tolentino (verso), Tuscania, Sant’Agostino, Valentino Pica il vecchio
  cat. 150, pp. 307-8: I santi contro la peste Nicola da Tolentino, Rocco, Sebastiano e Bernardino da Siena, con due committenti, New York, Metropolitan Museum of Art, Benozzo Gozzoli e aiuti
  cat. 152, pp. 308-9, Madonna della Misericordia protegge Corciano dalla peste con i santi Agostino, Nicola da Tolentino e Sebastiano, Corciano, Santa Maria, Benedetto Bonfigli
  cat. 153, pp. 309-120, Stendardo di Paciano, Paciano, San Giuseppe
  cat. 222, pp. 344-5, San Nicola da Tolentino, Sesto Calende, oratorio di San Vincenzo, Antonio de Mozis
• “Luxury and Pathos in Girolamo Romanino’s Christ carrying the Cross”, in The Italians in Australia: Studies in Renaissance and Baroque Art, ed. D. Marshall, Florence: Centro Di, and The University of Melbourne, 2004, 131-44
• “Reading the Body of a Plague Saint: Narrative Altarpieces and Devotional Images of St. Sebastian in Renaissance Art”, in Reading Texts and Images. Essays on Medieval and Renaissance Art and Patronage, ed. B. Muir, Exeter: Exeter University Press, 2002, 237-60
• “Confraternity and Community: Mobilizing the Sacred in Times of Plague”, in Confraternities and the Visual Arts in the Italian Renaissance. Ritual, Spectacle, Image, ed. B. Wisch and D. Cole Ahl, Cambridge: Cambridge University Press, 2000, 20-45
• “Michiel Coxie (attrib.), Adam and Eve”, in From Vision to Sesquicentenary: The University Through its Art Collection, ed. J. Alison et al., Sydney: The University of Sydney, 1999, 24
• “Drawing the Renaissance Body”, in Michelangelo to Matisse. Drawing the Figure, eds. T. Maloon and P. Raissis, Sydney: The Art Gallery of New South Wales, 1999, 25-37
• “Augustinian Exegesis in the Chiesa del Tau, Pistoia”, in Augustine in Iconography, History and Legend, ed. J.C. Schnaubelt and F. Van Fleteren (Collectanea Augustiniana, IV), New York: Peter Lang, 1999, 595-634
• Review of A. Moskowitz, Nicola Pisano’s Arca di San Domenico and its legacy, Renaissance Quarterly, 51, 1998, 221-3
• Review of Evelyn Welch, Art and Society in Italy 1350-1500, in The Weekend Australian, July 12-13, 1997, Review section, 7
• “Manipulating the Sacred: Image and Plague in Renaissance Italy”, Renaissance Quarterly, 47, 1994, 485-532

Dr Jennifer Milam

• [Refereed conference paper] “Object Lessons: Online Exhibitions and Art-Historical Instruction”, College Art Associations 93rdAnnual Conference, Atlanta (February 2005)
• [Refereed conference paper] “Miming Play: Picturing Amusement in Rococo Decorative Panels”, College Art Associations 93rd Annual Conference, Atlanta (February 2005)
• [Article/Essay/Book Chapter] “Play between disciplines: the problem of the ludic in rococo art and Enlightenment culture” in The Interdisciplinary Century: Tensions and Convergences in 18th-Century Art, History and Literature (Oxford: The Voltaire Foundation, 2005), 102-113.
• [Refereed conference paper] “Play and Nonsense: the Meaningful Excess of Rococo Form”, Art and Excess Symposium, Australian National University (November 2004)
• [Refereed conference paper] “Rococo Art: A Playful Aesthetic”, Columbia University Institute for Scholars at Reid Hall, Fellows Seminar (October 2003)
• [Refereed conference paper] “Aesthetic Play in Rococo Art”, Columbia University Institute for Scholars at Reid Hall, International Workshop on Play in Eighteenth-Century France (November 2003)
• [Book] Women, Art And The Politics Of Identity In Eighteenth-Century Europe, co-edited with Melissa Hyde, Ashgate Press, 2003.
• [Article/Essay/Book Chapter] “Matronage and the direction of sisterhood: portraits of Madame Adélaïde” in Women, Art And The Politics Of Identity In Eighteenth-Century Europe, eds. Melissa Hyde and Jennifer Milam, Ashgate Press, 2003, chapter 6.
• [Article/Essay/Book Chapter] “Jean-Honoré Fragonard” in Dictionary of Early Modern Europe: 1450-1789, Charles Scribner’s Sons, 2003.
• [Article/Essay/Book Chapter] “Introduction: art, cultural politics and the woman question” (co-authored with Melissa Hyde) in Women, Art And The Politics Of Identity In Eighteenth-Century Europe, eds. Melissa Hyde and Jennifer Milam, Ashgate Press, 2003, chapter 1.

Dr Catriona Moore

• [JOURNAL ARTICLE] 2005 'Contemporary Australian Photography’, Art and Australia, March 2005 (in press; accepted March 2004)
• [BOOK CHAPTER] 2005 ‘Margaret Preston At Home’, Radical Revisionism in Australian Art (ed Rex Butler) Brisbane: Institute of Modern Art, (in press; accepted January 2004)
• [BOOK CHAPTER] 2004‘Hearts and Minds (will win the war)’, Criticism+Engagement+Thought: Biennale of Sydney, (Sydney: Artspace, 2004, 9-17 (with Jo Holder)
• [EXHIBITION CATALOGUE] 2003 ‘Waltz in Matilda’, Meridian: Focus on Contemporary Australian Art, (Sydney: Museum of Contemporary Art, 2003, 24-27 (with Jo Holder)
• [REVIEW] 2000 'Avant-Garde for Children', Eyeline, Autumn.
• [REVIEW] 2000 ' Asia Pacific Triennial', Art and Australia, June.
• [CATALOGUE ESSAY] 2000 'Stitched Up', Canberra Contemporary Art Space, July.
• [REVIEW] 1999 'Going Glocal', Special APT issue of Realtime/MAAP99 Volume 2.
• [JOURNAL ARTICLE] 1999 'Welcome to the Real World', Realtime, August.
• [BOOK CHAPTER] 1999 'Back to the Future, Past/Present, eds. J. Kerr and J. Holder, Fine Arts Press.
• [BOOK CHAPTER] 1998 'Feminism and the visual arts and crafts', Chapter in eds. B. Caine et. al., The Oxford Companion to Australian Feminism, OUP.

Dr Julian Pefanis

• 'Free at Last...', Law Text and Culture , Vol.IV, 2, 1999
• Philippe Grand, "Phillipe Baquié" , trans. Julian Pefanis and Peter Raissis, Body, The Art Gallery of NSW, Sydney. 1997
• Jean Baudrillard, 'The Plastic Inevitable' , trans. by Julian Pefanis, World Art, 1995 Review of Charles Jencks's Heteropolis, in Monument. 1996
• 'Accidents Always Happen in Slow Motion', Binocular . 1996
• Félix Guattari, Chaosmosis-an Ethico-aesthetic Paradigm , trans. Paul Bains and Julian Pefanis, Power Publications, Sydney and Indiana University Press, Bloomington, 1995

Dr Mary Roberts

• [Chapters]“Cultural Crossings: sartorial adventures, satiric narratives and the question of indigenous agency in nineteenth-century Europe and the Near East”, in Edges of Empire, (In Press, 2005).
• [Chapters]"Harem Portraiture: Elisabeth Jerichau-Baumann and the Egyptian Princess Nazli Hanim", eds. Deborah Cherry and Janice Helland, Studio, Space and Sociality: New Narratives of Nineteenth-century Women Artists, Ashgate (In Press, 2005)
• [Books]Edges of Empire. Orientalism and Visual Culture, (co-edited with Jos Hackforth-Jones), Blackwells Press, Oxford, (In press, 2005)
• [Chapters]“The Politics of Portraiture behind the Veil”, eds. Tim Barringer, Geoff Quilley and Douglas Fordham, Art and the British Empire, Volume 1, Identities, Manchester University Press, Manchester, (In Press, 2004)
• [Chapters] "Mirroring the self/challenging the other: Ottoman women as portrait patrons in nineteenth-century Constantinople," eds. Deborah Cherry and Janice Helland, Studio, Space and Sociality: New Narratives of Nineteenth-century Women Artists, Ashgate,2003.
• [Chapters] "Inhabiting Tradition: Barbara Campbell's Inflorescent", Flesh Winnow, eds. Barbara Campbell and Laura Ginters, Power Publications, Sydney, 2002
• [Chapters] "Difference and Deferral: The Sexual Economy of Courbet's 'Femininity'" in Refracting Vision Power Publications, Sydney, 2002.
  
  [Chapters] "Contested Terrains: Women Orientalists and the Colonial Harem" in Orientalism's Interlocutors,2002.
• [Books] Orientalism's Interlocutors: Painting, Architecture, Photography,co-edited with Jill Beaulieu, Duke University Press, Durham and London, 2002
• [Articles] "Pasts present: Recent Developments in the study of nineteenth-century British Art", Art Monthly Australia, No. 151, July 2002, pp. 15-18
• [Journal Articles] 2000 'Being Drawn. Barbara Campbell's Inflorescent', Eyeline, No. 42, Autumn/Winter,

Dr Richard Smith

• [Review Essay] “Film Aesthetics” Inquiry: An Interdisciplinary Journal of Philosophy submitted April 1 2005. Commissioned Piece.
• [Review Essay]"Criticism without Myth" Australian Humanities Review Issue 31-32 April 2004.
• [Book]"The Brain is the Milieu: Speed, Politics and the Cosmopolitan Screen."Theory and Event April 2004
• [Book] "The Philosopher with Two Brains." Published in Film-Philosophy. Deleuze Special Issue. Vol 5 No 34 November 2001. pp249-270.