Dr Keith Broadfoot

Research Interests

• Modernism
• Australian art/film
• Theories of spectatorship

Publications

• [BOOK CHAPTER] 2002 ‘A Fold in Time: Anne MacDonald and the Origin of Photography’, Value Added Goods, ed. Stuart Koop, CCP Publications, Melbourne,
• [BOOK CHAPTER] 2001 ‘The End of the Line: Installation Art Today’, What is Installation: An anthology of writings on Australian Installation art, ed. Adam Geczy and Benjamin Genocchio, Power Publications, Sydney
• [BOOK CHAPTER] 2000 ‘Before and After Pollock’, Refracting Vision: essays on the writings of Michael Fried, ed. Jill Beaulieu, Mary Roberts and Toni Ross, Power Publications, Sydney
• [BOOK CHAPTER] 1999 ‘After the Field’, Reflections on Geometric Painting, ed. Nicholas Tsoutas, Artspace Publications, Sydney
• [BOOK CHAPTER] 1997 ‘The Third Term: An Australian Ornamentalism’, Ornamentalism, ed. A. McNamara, IMA and Power Publications, Sydney and Brisbane
• [JOURNAL ARTICLE] 2002 ‘Abstraction and Aura’, South Atlantic Quarterly, Vol. 101, No. 2
• [JOURNAL ARTICLE] 2002 ‘Perspective Yet Again: Damisch with Lacan’, Oxford Art Journal, Vol. 25, No. 1
• [JOURNAL ARTICLE] 2001 ‘Las Meninas and the King’s Two Bodies’, Word and Image, Vol. 17. No. 3
• [JOURNAL ARTICLE] 2000‘In the Name of Painting’,Postwest, No. 16.
• [JOURNAL ARTICLE] 1999‘Landscape as Blank: Australian Art after the Monochrome’, Australian Journal of Art, Vol. XIV, No. 2
• [CATALOGUE ESSAY] 2001 Su Baker Exhibition Boutwell Gallery
• [CATALOGUE ESSAY] 1999 ‘In the Mirage of Memory’, Debra Dawes, Sherman Galleries.
• [CATALOGUE ESSAY] 1997 ‘Art: A Thing of the Past?’, Installations: Mark Brown, Susan Johnston, Lawrence Weiner, Artspace, Sydney.
• [CATALOGUE ESSAY] 1996 ‘The End of the Line: Installation Art Today’, Brad Buckley, Artspace, New Zealand.
• [CATALOGUE ESSAY] 1995 ‘Site Unseen’, Brad Buckley, Artspace, Sydney.
• [CATALOGUE ESSAY] ‘To Look Again: The Art of Helen Nicholson’, Eyeline, 33, Autumn/Winter, 1997

Current Classes

• ARHT2655 Cinema and Spectatorship