Trench 1D Looking down 1D to the south. The Roman boundary wall to
the orchestra can be seen at the bottom of the seating, and
to this side of it, a walkway inserted at the same time.
Beyond is the concreted floor of the orchestra. Along the
centre of the picture are the grooves cut into the stairway
when the theatre served as a quarry for building stone at
the end of Antiquity. 1D has been the largest and deepest trench of the
excavation and it was excavated over two seasons in 1995 and
1996. It was superimposed over an existing trench opened by
the German team in the 1980s. The initial dimensions were 4
x 8.5 m but they were changed in the course of excavation to
a maximum length of 14.25 m while the width at the southern
end was reduced to 3.13 m. The maximum depth at the southern
end was almost 5 m.
Anita
Cvijanovic

The aim of the trench was to expose a sample of the cavea
from the top down to the orchestra; it included one of the
main stairways.
Systematic removal of deposits revealed a consistent
stratigraphic sequence from Late Roman to Byzantine and
Medieval. There was abundant pottery at all but the topmost
(agricultural) levels.
The lowest level, lying directly over the remains of the
stone seating, was a fairly orange deposit with many small
stone chips, evidently the waste from the quarrying process
in which all the original seating was removed. In and on
this was a great deal of heavy rubble, including the front
parts of a number of seats from which it has been possible
to form a good idea of the form of the original seating
(see archtiectural
seating).
Doubtless as part of this quarrying process, the treads were
knocked off the steps of the stairway and channels were
roughly carved down either side: it is likely that this was
done to allow some sort of trolley to be run up and down to
carry the stone as it was removed. (There are traces of a
similar arrangement on what is left of the next stairway to
the east.)

At the base at the seating area, at the edge of the
orchestra, were found the remains of a lower
barrier wall. It is about 0.8 m high and 0.45 m
wide. The side facing the orchestra is
significantly eroded, probably by the water used
for aquatic spectacles so popular in the Roman
period. The associated orchestra floor was covered
with three layers of pinkish waterproof cement.
On the other (northern) side of the barrier wall
was a cemented floor surface with a base made of
large pebbles.
It covers the first row of seat and, although the evidence
is not yet clear, it was probably laid down in the Early
Byzantine period. The structure with which it was associated
is still unknown. The pottery in the deposit lying
immediately over the remains of the seat runs no later than
700 AD on traditional dating, perhaps as much as 100 years
earlier on modified dating (see under Trench 3A).
Other finds from this trench include two fragments of marble
inscriptions, one of which, to judge by its wreaths,
certainly once recorded a victory
in the dramatic contests. There is also part of a
substantial granite column, probably introduced after the
life of the theatre, and a fragment of a spirally-fluted
column in grey marble of a type seemingly popular in
theatre-façades in Cyprus in the Roman
period.