Seminars
Sydney English Research Seminars Second Semester 2008
Friday 3-5, Rogers Room (N397)
Woolley Building, University of Sydney
August 22 Brigid Rooney (Sydney)
Public Recluse: Patrick White’s Literary-Political Career
August 29 Simon During (Johns Hopkins)
Globalising Australian Literature? Stalinism, Modernism, World Literature and Christina Stead
September 5 Katrina Schlunke (UTS)
Possession Island
September 12 Alex Jones (Sydney)
Beowulf: Text and Form
September 19 No seminar
September 26 Lindsay Tuggle (Sydney)
The Haunting of (Un)Burial: Mourning the ‘Unknown’ in Whitman’s America
October 3 No Seminar/ AVCC Week
October 10 Dan Anlezark (Sydney)
Word-games and Warring Elements in the Old English Dialogues of Solomon and Saturn
October 17 Peter Marks (Sydney)
Borders, Bodies and Balls: Surveillance and Utopian Imagining
October 24 Vanessa Smith TBA (Sydney)
October 31 Melissa Hardie TBA (Sydney)
Sydney English Research Seminars First Semester 2008
Friday 3-5, Rogers Room (N397)
Woolley Building, University of Sydney
March 14 Liam Semler (Sydney)
Margaret Cavendish the Liar: A Duchess and a Physician in the Alembic of Learning
March 21 & 28 No Seminar (Easter)
April 4 Huw Griffiths (Sydney)
Shakespeare, pathos and sovereign violence
April 11 Kath Bode (Sydney)
Sex, Lies and Statistics: Quantitative Models of the Relationships Between Gender, Novels & Criticism in Australian Literary History
April 18 No Seminar (Challis Chair Presentations)
April 25 No Seminar (Anzac Day)
May 2 Simon Petch (Sydney)
Stepping Westward: Dancing, the Western & John Ford
May 9 Bernadette Brennan (Sydney)
Lines of Exposure: Brian Castro’s Shanghai Dancing
May 16 No Seminar
May 23 Richard Smith (Sydney)
Double Indemnity and the Injunction to Memory
May 30 Nicolette Stasko (Sydney)
Orientalism and Women: A Feminist Perspective
June 6 Kate Flaherty (Sydney)
The Origin of Shakespeare Studies as a University Subject
June 13 Julian Pindar (Sydney)
Library Thing
June 20 Guy Davidson (Wollongong)
Bar and Dog Collar: Scene and Temporality in Jane DeLynn



